push for access to prior knowledges, prior research, current scientific consensus
open access isn’t always equitable and often requires authors to pay for it

Green Open Access is usually free and has licensing dictated by publisher
Gold Open Access incurs an Article Processing Charge (APC) - extortinate prices, published on an open licence (usually CC BY), but some venues only use this kind

some good irony, an article on open access publishing ending up behind a registration wall

Resources

https://arts.ac.libguides.com/scholcomm/payingforopenaccess

“What also appears to be of crucial importance in the para-archive is the singular perspective and specific standpoint from which it is formed.” (Smolicki, 2017)

“Unhinging God’s Eye"
"…the device’s historical association with ideas of perfect, disembodied, objective vision. The camera obscura was believed to give the viewer “a vantage point onto the world analogous to the eye of God” (Crary, 1990, p.48)” ⤴️ (Smolicki, 2017) - portability affords diverse singular usage - if this ‘objective’ third viewpoint is becoming part of all-seeing, portable/transferable knowledges make you part of an all-knowing - emergent consciousness in these assemblages?

micro-archives “successively and obstinately evolving and accumulating parallel to these individuals’ everyday lives” ⤴️
these practises “deeply entangled in their every-day lives (or even, to some extent, choreographing its flow)” [⤴️](https://read.readwise.io/read/01k3s6n3xrr7mn72q5d780dwmz
“the chance to create more subjective representations of the world,” ⤴️
“give posterity a particular, singular perspective onto a given moment” ⤴️
“powerful personal significance.” ⤴️
“this auxiliary layer of everyday life (or “second layer,” as de Certeau had it) where para- archiving takes place might also be seen as a space where subjecthood is constructed.” ⤴️
memories are inherently single perspective, so should be authored

in the everyday

“it is never autonomous, as it is never entirely dependent.” ⤴️
“Flows of everyday life are seldom entirely conditioned by a pervasive disciplinary strategy; they are unique projects emerging from particular ways of operating” ⤴️

exemplary

“I see this act of misquoting as a mode of re-capturing and re-assembling the image of reality that the fragmented representations were initially intended to communicate.” ⤴️
“Mapping can be seen as aesthetically coded records of my presence in time and space” ⤴️

accessibility

see a11y for digital accessibility

digital divide

no preview

capitalist realism

Alternatives often not pursued as capitalism is so intrinsically linked with how people process thoughts and build solutions and consider the functioning of society that they cannot imagine a world without it
Capitalist Realism - Mark Fisher

Men

democratic media production

“Although there is a certain implicit recognition of a performative side to media, it does not have to do much with the agency of the media as objects, technologies or technical infrastructures, but rather agency of people who happen to control media institutions and distribution of media texts.” [⤴️](https://read.readwise.io/read/01k0psnhw7wsx39z87gkf9h1kr
“a certain divide between those who get to produce and control the distribution and reception of media texts and the rest who is left to only consume them and among whom these effects can be subsequently monitored and measured.” ⤴️
“Stiegler perceives democratization of power and opening of participation in media production (which were absent from such previous media milieux as TV and radio) as crucial forces to restore a chance to liberate “hypomnesic memory from its industrial function” (2010, p.85).” ⤴️